All posts by Martyn Wall

Brooklyn

Often movies have a magical quality as you’re viewing them. Some will demand your undivided attention, others will hypnotize your senses, leaving them to simply wash over you with their exuberance and classic filmmaking procedures. In the case of John Crowley’s “Brooklyn,” the latter is certainly the case. There comes a moment in the film when you are taken in by the film’s classic style filmmaking, and tenderly thought-provoking performances from its cast. Director Crowley, in partnership with Oscar-nominated scribe Nick Hornby, create a beautiful and sensitive love story that is everything a Nicholas Sparks film adaptation wishes it could be. With a vibrant turn from Academy Award nominee Saoirse Ronan at the helm, “Brooklyn” utilizes all of its tools in its arsenal to convey a potent message of love and family.

The 400 Blows

Every day life, however ‘real’ and gritty it may be, is rarely portrayed on film and was certainly a rarity in the 1950’s. In Europe however, there was a movement in film-making that embraced this realism and searched for the deeper meaning in the ‘here and now’. This is about the most basic and miniscule portion of the meaning behind the French New Wave of the 1950’s – films that explored the filmmaker’s surroundings, and eventually became an inspiration for filmmakers around the world. Francois Truffaut’s ‘The 400 Blows’ is one of the most well-known films of this movement, and has been embraced and hailed as one of the greatest films of all time.

Orlando

Who’s afraid of Virginia Woolf?

Don’t be. Just enjoy the experience. And watch Orlando, which is so beautiful!

Hundreds of years of walking on this earth. Never fade, never grow old. As a man Orlando can’t get in touch with his feminine side. Can’t dabble in poetry, can’t trust the woman he loves, can’t feel sorry for the enemy dying in front of him. So Orlando becomes a woman. Literally overnight. And finds she can’t think, she can’t have opinions, have a character even. Can’t keep the property she owned for centuries, can’t even trust the more liberal adventurers of the 19th century. So is it possible to live an unfettered life? Are men and women not just exactly the same, with only a difference in sex?

Even if you don’t want to contemplate these existential questions. Even if you don’t know how the book was one long love letter to Vita Sackville-West and her beloved Knole. Even if you don’t care about all that, just watch the film and enjoy the wonderful tableaus, the cinematography, the skating on the ice, the negotiating six feet wide dresses, and the perfect performance of Tilda Swinton. You won’t be disappointed!

Adrian

The Lunchbox

Lunch letters

Sometimes the wrong train can get you to the right station.

That is most definitely the theme of this lovely movie. Shot in Mumbai where so-called dabbawalas deliver some 130,000 lunch boxes everyday, this film tracks the lives of two people who are inadvertently thrown together, albeit at a distance. A love story of sorts, but far more a gentle, quiet portrait of ordinary lives, and how they may sometimes intertwine, but how dreams or ideals never come to fruition and people continue to live their ordinary lives.

But, as the saying goes, even the wrong train may get you to the right station and in this case both main characters make decisions to alter their lives, after having been on the wrong track for a bit. So yes, they may be heading towards their own right station, although we’ll never know because the ending is open and will leave you pondering the rights or wrongs of their (in-)actions.

Absolutely loved this film and if you’re looking for a genteel way to spend an hour and a half, go and watch this movie!

Adrian

The Worst Person in the World

Oslo Trilogy

Right, so that’s the Cannes Film Festival over and done with for another year. Not that I’ve been, mind you, but thankfully such events always yield a flurry of movie reviews on Youtube, and I gladly devour all of those to make up my own mind. One of my favourites reviewers is ‘Like Stories of Old’. He always manages to review films that have a certain dreaminess and sensitivity that I like very much.

So I was watching his Cannes review and made notes of all the films he enjoyed seeing when there, among which was Sentimental Value, the latest film by Norwegian director Joachim Trier. The reviewer Tom van der Linden (I believe he is a fellow Dutchman but that’s beside the point) then said that The Worst Person in the World, also by Trier, was one of his favourite films of all time.

Naturally I had to see this film, so I did and am blown away by it. It’s such a beautiful portrait of a young woman finding her way in the world, trying to find her way in life. Beautifully played by Renate Reinsve, especially in her scenes with Anders Danielsen Lee. Beautiful cinematography, especially that sunrise scene somewhere near the end. The film takes it time, it’s over two hours long, so too long for our film nights unfortunately, but it’s gripping so you just settle in and enjoy the slower pace. It makes you contemplate your own path in life, the decisions we made when we were younger, the wrong ones, the right ones, most of them necessary to end up where we are now.

Does that make us the worst person in the world? Or is it just part of life? An absolutely amazing film.

And on top of that I’ve since found out that it is the final part of what is now known as Trier’s Oslo Trilogy. They’re all stand-alone films, so you don’t need to see them all together, but I now most certainly will and I hope to start soon with the first one, Reprise, to be followed by Oslo August 31st.

So watch this space!

Adrian

Bring them down

Hard watch

I’ve just joined Mubi (and can heartily recommend it!) which is why I’m now able to try and see so many films that I would never have thought of seeing before. So when we just had that wonderful Irish film with Barry Keoghan in (The Banshees of Inisherin), I thought I’d watch some more films he acts in. So I saw Bring Them Down the other day. And I must say, it was a hard watch.

I read somewhere that the film depicts paternalism, heritage and generational trauma cycles in Ireland. And boy, did it deliver. Gritty, rather violent, though just about watchable, it is classed as a revenge film, which would normally not be something I’d like to watch. But it was beautifully shot and most graphic stuff sort of happens out of sight, so the film kept me intrigued and I managed to finish it without looking away.

There’s not really that much of a story, and there’s not really that much of dialogue, but the emotional tension is palpable and you sort of get why people are struggling they way they are. And that is definitely the strong point of this film.

Which is why I think you may have a go, if you’re stomach is up for it, because it may be more rewarding than you would at first expect. The whole feel of the film surely stayed with me for a couple of days, which is another strong point.

So yes, I think I’ve got to give it a 4 out of 5 after all.

Adrian